Filling Time With Happy Pursuits

How is it that I am retired, but have less time than before? I do have good intentions, but they say that the road to (insert your less than favorite place here) is paved with them.

I did take part in the first of my plein air competitions this year. The results were not so bad.
I won the purchase prize for an 8x10 painting of the Blues Festival, here in Silver. Its title is "Just a Sittin and A Waitin", of two over 60 blues enthusiasts waiting for the festivities to begin, seated in the shade and enjoying each other's company. Blues Festival on Memorial Day features more exposed freckled skin than you have ever seen since 1962 in the form of blues aficionados, and some pretty good live music. The place does have talent.
During this festival we had the second in what people are hoping becomes an annual event, in our plein air community. 

Winning the purchase prize means I came home with money and left the painting for them to display or dispose of as they see fit. After all the hoopla was done it occurred to me that I never took a photo of it. Oh well....

But I did take a photo of the second of my paintings to win an award. This one for Artwork of distinction. I titled it "Silver City Women's Club" (a definite nod to my less than stellar titling skills). I should have called it Casa Blanca, as suggested by my good friend Carol, or Casa Azul. This building is one that has captured my attention every time I ever went past it. it's just downright pretty in a territorial kind of way. It features lots of  blocky modules, and a very nice play of light across its face early in the morning. Even better was my vantage point in front of the Chile Bowl Restaurant across the street. Safe, off the main thoroughfare, shady and pretty darned private. And I had the blessing of the manager. Important, that.

Here is SCWomen's Club, or should I change it to Casa Blanca, or Casa Azul?

Silver City Women's Club
11x14 oil on panel
Available

If you would like this painting, go to my website to purchase.

Monet "Creativity takes courage".

Winter In New Mexico - Southern Part

Go to My Website

This February has been more like Tucson than Silver City. We are so very much higher, and cooler. So it is with surprise that we experienced 72 degree days this month!
Perfect for plein air painting! And no snakes yet!

My friend Gay and I went 'sploring on down the road in the Mimbres Valley, just East of Silver City. What we found was an area whose accessibility was determined by the rate of flow of the Mimbres River. Many people live on the far side of that river and rely on four wheel drive, lifted vehicles. Some leave a car on the city side to get out and do routine things like shop or get gas. We didn't have one of the aforementioned vehicles, so we stayed on the tame side. But we still had views that were varied and just downright gorgeous.

The motif

I started my piece by rubbing a tone of a violet all over the board. (I have been watching Shana Kuntz" new video). Its great for making you think and start a little different from your normal starting point and method. Its that thinking differently gives you different results thing. I love the friendship of violet and greens, not to mention the love of yellows for violets, resulting in some of the most rich offsprings possible. We were at riverside and the water was so noisy that we couldn't hear each other talk unless we yelled. Somehow that just was gauche.

The block in

Locals drove their monster tired trucks by ever so slowly so as not to dust us. Who says locals are indifferent to their surroundings? Its so nice to have such a kind and thoughtful welcome.
We painted until we got the sense that we were both starting to dink around with it. For me that is the moment that I think " I can make it better if I just do this", and then the last stroke kills all sense of immediacy - it kills the " I am there" moment. I wish I had a guardian angel who could break my arm before I do that.

In The Shadow Of Cooke's Peak

This was what resulted from one of the nicest days in the sun, with a lovely breeze and friendly people. Mimbres Valley is rapidly becoming one of my favorite places to paint.

The Concept and the Passion

David Leffel, my all time painting hero, says painting is all about the concept. He says the concept is the vision that defines the entire painting. That pretty much equates with what other artists say about a painting starting with passion. It is all about the passion of the vision, even Cezanne said so.
Some days there is no passion. Doing the laundry takes it all out of me. At other times its also very hard to make my husband stop the motorcycle so that I can take a shot.  I can tell that his passion is being fed by the exhilaration of barreling through that huge flat curve in the road. (No, we don't ride Harleys). He really doesn't want to stop so that I can record this lovely bend in the road. My sense of balance requires that I try to balance both our passions, recognizing that his is very important to him also. So I find other ways to feed my passion.                       
How?  I go back to that place I saw and loved. I take my camera, but more importantly, I take my painting box and paints. I do paint as often as I can. And when I am not painting, I am watching painting  DVDs and reading books about it. Trying to learn what other artists think, how they feed that same passion and how they go about their work. All this as I try to figure out a way to take paints along on the bike. Have I mentioned priorities before?

http://thomaskegler.com/video/

This week a Plein Air DVD by Thomas Kegler came in the mail.  Its brand new. He paints the Northeast, specifically New York. I know the area, having been brought up in New England. If ever there were a place that requires a singular vision and a strong concept, it is that part of the country. The very abundant green of the forests can overwhelm much of your ability to compose .  You don't get a singular red cliff pointing skyward. Very seldom do you ever see a picture that just presents itself for painting. You have to identify and distill to capture the essence of the overriding player on the stage of a painting. Thomas does a great job of that and his procedure is wonderful to watch. I highly recommend this DVD as a great way to keep the passion alive when you cannot go out and paint. The only wish I had was that it would have gone on longer and taught me more. Kudos to you, Thomas.
                                                                                                                                                   Because I read a lot I have become familiar with Kevin McPherson's pond series. Kevin has painted an entire year's daily studies of the pond on his property. Its a wondrous series. So I thought that living in Wind Canyon is a unique opportunity for me, with four distinct, gentle seasons. So now I am putting myself on the spot, because I am proposing to do a series of Wind Canyon. It won't be every day,(how the devil did Kevin ever get anything else done?) perhaps just one painting of it a month, but one when I notice a change in the landscape. They are subtle changes here, not as marked as in say, Colorado. But it does change. So here today, is Study 1.

Wind Canyon Oak - Study1
Available

 Its all about the distillation of the concept, and the passionate painting of it.