In New Mexico, February is usually cold and blustery, with
snow and ice thrown in for good measure. That is why I have my yearly pastel
workshop, here, in that month. Also, it’s a really good thing to have something
to look forward to after the holiday stuff has been packed away and everyone
hits the mid-winter doldrums. So while this is not plein air, there is a setup
available for the students to look at.
This year, it was in the mid 60s! What’s up with that? We did have the wind though.
I always ask myself what I can do to make the next workshop
better than the one we just completed. Next year, I am going to include how to frame a pastel correctly. We did not even get close to that topic. And perhaps it will be a two day Friday/Saturday workshop with an optional Sunday to finish if a body feels pressed for time.
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Julie working away |
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Julie - almost done |
It’s not a scrubby way of working. I usually save that for my landscapes in pastel. Following this deliberate way of working, an artist works out compositional problems at
the drawing stage and once that is done, the artist can just immerse themselves
in the passion of applying the pigment in a rich saturated way.
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Need help with title - suggestions please? |
I like that at that stage, I can concentrate on value and
temperature to make the piece coherent. Color is then the reward I get for the
prior work. And I love the juiciness and satisfaction I get of applying that
color.
This is in need of a title…..never did get around to that.
So help me out here. What is its name?
An 8x10 print goes to whoever names it.
Favorite quote:
Artists must know what they are doing and how they are going to
do it, while allowing room for spirit and intuition to influence the creative
experience. (Donald Demers)
Calling All Artists!
Pots n Peppers
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