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Sometimes the titles of my paintings elude me, like a tiny flower under leaves along a forest path. Would that they were more forthcoming.
Take this painting of a Pinos Altos house allowed to go to ruin. I do not know if anyone owns It. Clearly nobody is currently tending it. It looks as though someone once took pains building a rock wall that is now with overgrown weeds and grasses. The rock wall looks like it will outlast the wooden building. But the house had windows that were nice and large at a time when transporting them was costly and probably pretty precarious. It was probably fairly snug for a house of its time.
I hesitated to get into those tall grasses as I really do not like snaky surprises. So I painted her from the road.
Not too many people were about in Pinos Altos that morning. There was a honey truck, one person walking her dog and someone who must have been late for work. Most everyone took long looks at the weird painter under the blue umbrella. But nobody interrupted.
I called this painting Pinos Altos Dowager, mostly because she seemed to have seen better days. I can relate. But upon reflection, she might have been better named "Keeping Secrets", the way the entrance was so overgrown, with fallen down tree branches. Is she hiding something, or simply keeping close a time that was happier and more promising?
Keeping Secrets, or, Pinos Altos Dowager?
Painting Plein Air in Greater Wind Canyon, and its suburbs of New Mexico, Arizona and California.
Thursday, August 27, 2015
Saturday, August 1, 2015
Its Not A Pig!
Painting buddy Gay Scheibl and I decided to take a quickie
road trip up to Lake Roberts and paint. I kept telling her how pretty it was
with greenery around the lake and pink cliffs above. So we went as she had
never been.
They had drained the lake.
It was a puddle. It was teeny. The fishing pier (brand new)
was 50 feet or more from the water. You’d really have to cast to get to them
thar fish.
So we decided to go to Upper Mimbres Valley and hunt down a
goat ranch we had seen with lots of goats in a lovely sunlit pasture. We found
it and partially unpacked. Almost together, we heard at least 5 shots from a
gun. At which point Gay, (the decidedly brighter of us two) said “This doesn’t
sound like such a good idea”. And I had wanted to drive up and ask to paint on
their property! Like I said, one of us is smart.
Run away! Run away! Run away! Sounds like Monty Python doesn’t
it?
We ran on down the road and found a beautiful pasture
bordered by red /pink cliffs and habited by three horses. A lady was walking
her afghan hound and we asked if we could paint on the property. She said yes
and we opened the rope gate, closed it to not let out the horses and proceeded
to paint. It was beautiful! It was great!
But I can tell you, if you think boats are hard to paint,
try horses. They walk away. They pose for two minutes, look at you, figure you’ve
almost got them and they saunter on off around the far side of the buildings.
They do it on purpose. So here is my painting of Lake Roberts (just kidding).
Here is Munching Out in Mimbres Valley, with a bit of a glare for which I apologize. Complete. I don’t usually paint
animals. I find them non-cooperative. You wildlife artists are amazing. I just am
happy if my horses don’t look like pigs.
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